Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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samuel pepys
an 18th century painting of young man playing the spinet by jonathan richardson

ID: 60199

samuel pepys an 18th century painting of young man playing the spinet by jonathan richardson
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samuel pepys an 18th century painting of young man playing the spinet by jonathan richardson


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samuel pepys

Born: 23 February 1633 Birthplace: London, England Died: 16 May 1703 Best Known As: Author of Samuel Pepys' diaries   Related Paintings of samuel pepys :. | Portrait of infante Felipe (future Phillip IV) with dwarf Soplillo | Madonna and Blessing Child fdg | Scenic old church | A Lane in the Public Garden at Arles (nn04) | The Annuciation |
Related Artists:
riesener

CASTILLO, Antonio del
b. 1616, Cordoba, d. 1668, Cordoba Spanish painter and draughtsman. He studied first with his father, Agust?n del Castillo (d July 1631), a painter also known for his drawings, and in November 1631 began a three-year apprenticeship with Ignacio de Aedo Calderen, a painter of religious figures ( pintor de imaginera). From 1635 to 1638 Castillo was also known as painter and pintor de imaginera, and by December 1638
Eliseu Visconti
1867-1944 Eliseu Visconti Gallery Brazilian painter and decorative artist, of Italian birth. He was taken as an infant from Italy to Rio de Janeiro. In 1884 he began studying in Rio de Janeiro at the Academia Imperial das Belas Artes and the Liceu Imperial de Artes e Of?cios under Victor Meirelles de Lima, Henrique Bernardelli (1837-1946) and Rodolfo Amoedo (1857-1941). He was active in efforts to eliminate the academy's rigid academic discipline. He went to Paris in 1892 and attended the Ecole des Beaux-Arts and the Ecole des Arts D?coratifs, where he was taught by Eug?ne-Samuel Grasset. At the 1900 Exposition Universelle in Paris, Visconti won a silver medal for the paintings Youth (1898) and Dance of the Wood Nymphs (1899; both Rio de Janeiro, Mus. N. B.A.). Following the Pre-Raphaelites, his main influences were Botticelli and other painters of the Italian Renaissance, but he was also affected by Grasset and Art Nouveau. On his return to Brazil, among the works exhibited in 1901 in Rio de Janeiro were a series of ceramic objects with Brazilian floral motifs and designs for postage stamps. His florid style began to give way to Impressionism in the stage curtain, circular ceiling panel and proscenium frieze he executed for the Rio de Janeiro Teatro Municipal (1906-7; in situ). In 1906 he became director of painting at the Escola Nacional de Belas Artes in Rio de Janeiro.






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